© Eric Weeks, Big Star, from the series World was in the face of the beloved
© Eric Weeks, Anne Street, from the series World was in the face of the beloved
“I have been photographing my wife Stacy, whom I married four years ago this fall. My relationship with her is the closest, kindest and most successful of my life. My photographs of her are a celebration of this accomplishment.
This work is about a character who is becoming one within the given landscape. She is someone who is okay with who they are and where they are in the world, while at the same time, she questions her place in the universe. She is my protagonist. Although I do not directly intend to expound on the tenets of Zen Buddhism, there is certainly the suggestion of that kind of spiritual tranquility. I want my photographs to offer a respite from all the courser conundrums of humanity.
In short, I want these photographs to speak about ideas of beauty: the beauty of this woman in these attractive clothes; the beauty of the landscape and the figure relating to that space; the beauty of color relationships; and also about the beauty of analogue photography.(…)”
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