“Excoffier’s tableaux bespeak a coherent narrative of the human drama. Despite postmodernism’s grandiloquent discourse about “paradigm shifts,” our tragicomedy most often unfolds incrementally, rather than by leaps and bounds. Likewise, the theatre of our lives resides rarely on mountaintops, but instead usually at the myriad interstices that we overlook amidst the hustle and bustle of day-to-day living. Its details furnish the backdrop for Excoffier’s scenes. She accordingly fleshes out her storyline through mundane phenomena – the texture of cloth, smudges on a mirror, creases in a plastic tarp, limp apparel, a run in nylons, coarse rope, wiry pubic hair, or the grain of mortal skin.
In short, she articulates the concreteness of both sentient and inanimate subjects so as to render them visually tactile. I therefore call her work haptic photography, because of its predilection for the sense of touch. However, by virtue of representing a tangible object through an intangible image, the photographic medium creates a shear between materiality and immateriality. Excoffier’s art results largely from her investigation of that crux.”
Full article in the Ciel Variable
More of Éliane’s work here