٠ Sandro Ferreira, memory code: 6174 ٠

portefolio SandroF4© Sandro Ferreira, Não lhe digas para onde vais amanhã (Don’t tell her where you’ll be tomorrow), from the project “6174”
Set of a hundred booklets, with dimensions identical to those with speeches of some dignitaries of the Portuguese dictatorial regime: “Estado Novo”.

portefolio SandroF6© Sandro Ferreira, from the project 6174. The left card reads The useless, the right card reads The miserableportefolio SandroF5A series of 126 “lobby cards”, corresponding to the 126 films that the soldier Manuel Rosa Simões had seen since his arrival in Angola until his departure for the Metropolis. Ironically, the first film was “Les Miserables” and the last “The Useless”, setting the tone…

From 1961 to 1974, Portugal became involved in a war in its colonies, a war of subversive naturesubversive war is a war conducted within a territory by part of the inhabitants of that territory against the authority in it established, aided and reinforced or not from the outside, and in order to withdraw that authoritarian control, performing a transformation more or less wide. in Military Newsletter No. 15, Military Region Angola, August 15, 1962

Much of the research/exploration of this event converges to the advances and retreats, political questions, numbers, guilty and innocent people. The true human/animal/social essence of the event is confined to fiction literature and some published journals, often revised. Moving away from the issues widely teased I try to penetrate the internal memory of the war’s day-to-day of a generation that lived haunted with the fear of leaving for a country distant of their roots, risking their lives. In exploring these memories I gather a number of factors and situations that made the day-to-day of the oversea soldier, some did erase memories of home, others did revive memories (aerograms cinema, alcohol and sex).

The memories of war veterans, after so many years, can be divided into two branches, namely, the memories that fade away naturally with time and memories that need to be deleted. The work presented here lives in both branches of the forgotten or erased memory.” Sandro’s statement

The video tells the story of a soldier that was ambushed in Angola, while carrying the “Practical Handbook of Radio and Television” in his pants pocket. Trying to jump off the car he was ridding in, he got shot in one leg. One of the bullets hit and went through his leg and another bullet hit the book and was lodged inside it. Playing with the question of the impossibility to repeat events such as those in the context of war, I tried to recreate the situation of the bullet lodged inside the book. As the way we retell our memories is never the same, also the bullets that were lodged in the replica penetrated by different sites.

portefolio SandroF2© Sandro Ferreira, 7.65 Practical Handbook of Radio and Television, Edition of 8 books, 466 pages, with a bullet inside, 2011, from the project “6174”

portefolio SandroF1© Sandro Ferreira, Carta de Portugal Insular e Ultramarino de 1962, jogo

portefolio SandroF 4© Sandro Ferreira, Antecipação de um regresso a casa (Coming home earlier), from the project “6174”

Sandro was recently chosen for the EDP emerging artists’ award, in Portugal. He will be exhibiting new work, latter on this year, in Oporto.

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