٠ Melissa Zexter’s click and stitch: a marriage made in heaven ٠

0x550© Melissa Zexter, Brooklyn Bus Map, from Maps and Memories. Gelatin Silver Print + thread.

0x556© Melissa Zexter, Color Eye Chart, from Maps and Memories. Gelatin Silver Print + thread.

0x559© Melissa Zexter, Cardinal, from Embroidered Portraits. Gelatin Silver Print + thread.

0x5566© Melissa Zexter, Leopard, from Embroidered Portraits. Gelatin Silver Print + thread.

0x5599© Melissa Zexter, Schoolgirls, from Embroidered Portraits. Gelatin Silver Print + thread.

0x55333© Melissa Zexter, Bizzard Lovers, from Other Landscapes. C-print + thread.

0x5598© Melissa Zexter, Willows, from Other Landscapes. C-print + thread.

[…] For me, sewing was another way to build up a surface and to build upon the content of my photographs. I loved the meditative process of sewing – it was in such contrast to the technologically more immediate art of photography. I was also interested in how thread blended in and reacted to the photographs. The combination of sewing and photography brought together two very different processes that I love. The use of embroidery is a reaction to the photographs and is a process that aids in the transformation of identity of the person or place being photographed. […]

I take and print all of my photographs. Some of the photographs are digital prints and others are gelatin silver prints that I make in a darkroom. I take the pictures first and then decide how I am going to change them with the addition of sewing. The thread acts as a connection between the person and myself or place that I have photographed. I always think of the photograph as something from the past and the thread as a reaction to the past and present. The thread makes the photograph more personal to me and allows me to meditate on the image. Combining the two mediums (photography and sewing) allows me to reinvent the photograph; to visually react to a person or a place.

excerpts from an interview published at TextileArtist.org

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