Extreme fatigue can change your perspective on things, but so can euphoria and melancholia. I guess our perception on what is or is not part of our conceptualized reality is heavily influenced by our biological and psychological conditions. Having said that, most of the so called altered states of perception tend to be transient, not defining the way we go about life.
As 2017 approached, I found myself experiencing a sort of change that may well be of a different kind. After spending nearly three months in a state of extreme tiredness, I’m now ready for a new chapter and what is most surprising about finally taking a break and spending some days away from work is that my perspective on reality is going through a deep change. It’s as though a new sense of pleasure is changing the way things look, smell and feel. For example a bird, the sort of animal I’ve never used to pay much attention before, is now a source of delight.
Now back at work and seeing the daily news, everything seems too distant, as if my concept of reality got reduced to a very small circle that comprises only those who are near to me, as well as my beliefs, dreams and responsibilities. This is obviously troubling in many different aspects: 1) for once, the events happening all around the world seem to be reallocated to a fictional dimension. Such a feeling is unsettling, not only because it questions my social identity, but also because it makes it hard to think about the historical, political, economic and social dimensions that tend to define one’s place in the world. Trump’s existence, per se, seems improbable – see the problem?; 2) but this also brings a new light on my nearest environment, highlighting different spaces of affirmative action, as if suddenly a new giant field of possibilities has just opened.
Writing a thesis is a crazy lonely process that I wouldn’t want to repeat. Although it is rewarding in many different aspects, it can also bring about a way of thinking about things that is (too) disconnected from others’ reality and a clash may well settle in once that scheme of logic starts to lose its ground. Now coming back to social media and going through some general discussions about photography and the visual field, I struggle to adapt to this “new pair of eyes”.
Take for example this news from The Guardian about a photographer who captured images of unknown Amazonian tribe. Do people think it is acceptable that curiosity drives our decision making process? On The Guardian, one journalist says that Brazilian photographer Ricardo Stuckert had “a moment of luck” when his flight took a detour and he spotted this tribe. The same news also quotes the author saying “I thought, ‘You have to photograph this, it has to be preserved’.” But what exactly does this sort of imagery help preserve? Really, how does this approach contributes to an antropological study about “their way of being”?
In another article, a multimedia journalist named Dan Collyns calls Struckert’s photographs remarkable and then goes one to recount his own experience with indigenous people, letting us know how Peru’s official policy of “no contact” has been able to protect and cushion tribes like the one shown in Stuckert’s photographs. But can we, on the one hand, promote this “no contact”/”no invasion” policy and, on the other hand, promote this sort of imagery? How is Stuckert’s decision to make these photos public not an act of exploitation?
When I read on the news that the photographer accidentally stumblled on these photographs I can’t help but laugh and remember the sort of excuses lovers often give one another to avoid confrontation. He may have spotted the event by chance, but everything else after that is product of his conscious choices, not randomness. Did he have to show the images? Do we need to see them? Should we promote the idea that young photographs should go out and photograph people in their private lives?
But besides me having a difficulty in understanding why no one questions the need to make these photographs public, what this new pair of eyes struggle most is with the hundreds of journalists calling the photographs spectacular, as if there was something absolutely new in the photographs, as if the world had just waken up to another way of living…