It’s a question students often ask: who’s your favourite photographer? I don’t have one, nor do I have a favourite director, a favourite musician, a favourite writer and so on. It varies. Having said that, what students usually want when posing that question is to understand what kind of photographs I like, so I usually show them the work of a couple of authors I particularly respond to. For the past couple of years, Robert Zhao Renhui‘s work has been on the top of that list.
Sanne de Wilde, born in Antwerp in 1987, is an author’s who’s work I’ve also been following and her latest project is what brings me to this post. The Island of the Colorblind is a project that brings together the author’s style with the content’s uniqueness. As a result, we get an original aesthetic approach to this universe, being that “this universe” is both the dimension of the achromats as well as the dimension of the photographic language. They are both potentiated through de Wilde’s way of making: her choices regarding color, first and foremost, but mainly the way the “idea of color” contaminates the entire project.
Here’s an excerpt of de Wilde’s statement about The Island of the Colorblind:
In the late eighteenth century a catastrophic typhoon swept over Pingelap, a tiny atoll in the Pacific Ocean. One of the sole survivors, the king, carried the rare achromatopsia-gen that causes complete colorblindness. The king went on to have many children and as time passed by, the hereditary condition affected the isolated community and most islanders started seeing the world in black and white.
I tried to see the island through their eyes. Daylight is too bright to bear, moonlight turns night into day, colors dance around in shades we cannot imagine. Imagine flames lighting up in black and white, trees turning pink, waves of grey. A rainbow revisited. The islanders often refer to green as their favourite color, growing up in a lush environment, living in the jungle. But green is also the color that the most common kind of colorblindness (deutaranomaly, five out of 100 males) can’t distinguish. I learned that the color the islanders say to ‘see’ most is red. I photographed with a camera converted to infrared, programmed to read the light and the colors different. Nowadays a lot of the Pingelapese have migrated to Pohnpei, the nearest , bigger of the Micronesians island.
In a few months, The Island of the Colorblind will be published and we’ll be able to see it, contemplate it and discuss it properly. I’ll be back with more on the subject once it’s out. For now, a teaser: