© Sergio Belinchóm, Untitled 8, from the series Berlin, an Archaeology, 2005 © Sergio Belinchóm, Untitled 8, from the series Berlin, an Archaeology, 2005 To see more of Sergio’s work click here
Read More║ J. M. Ballester ║
© J. M. Ballester, Vista desde el hotel, 2005 © J. M. Ballester, Ciclista a contraluz, 2005 “If we cannot change the world, at least we can change the way we see it.”José Manuel Ballester “Ballester’s attitude towards his subjects is neither critical nor approving. It is observant and pensive. The stillness of the spaces…
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║ Marrigje De Maar ║
© Marrigje De Maar, Tollonjoki, Wanja, Russia, from the series Home Made © Marrigje De Maar, Venray, refter, from the series Time Out © Marrigje De Maar, China-Zhaoxing, old farmer, from the series Rambles (people) Time Out consist of pictures of rejected spaces. The structure of these buildings may still be sound, but…
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║ Oscar Palacio ║
© Oscar Palacio, Prefabricated Stairs, from the series Unfamiliar Territory, 2004 © Oscar Palacio, Suspended Log, from the series Unfamiliar Territory, 2006 To see more of Oscar’s work click here
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║ Yves Marchand & Romain Meffre ║
.© Yves Marchand & Romain Meffre, Kraftwerk, Muldenstein, from the series Eastern Germany industrial vestiges © Yves Marchand & Romain Meffre, Bleichert Transportanlagen, Leipzig from the series Eastern Germany industrial vestiges “During the industrial revolution, factories were built with a great aesthetic concern since there used to promote the image of companies. More than…
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║ Daniel Mirer ║
© Daniel Mirer, Shea Stadium, Players Walkway, from the series ArchitorSpace, 2003 © Daniel Mirer, Shea Stadium, Office Hallway, New York 2, from the series ArchitorSpace, 2003 “The “ArchitorSpace” photographs display a specific interest and fears I have about the banality of spaces such as those of enclosed areas. These places are typologies of…
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║ Ville Lenkkeri ║
© Ville Lenkkeri, The Collected Works of Lenin, from the series The Place of No Roads © Ville Lenkkeri, Dead Domestic Plants II, from the series The Place of No Roads “Two Russian communities on Spitsbergen have had their times of bloom. Now one of them is a ghost town and also the other…
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║ Michael Schnabel ║
© Michael Schnabel, Elephants/Rinoceri, Stuttgart, 2000 © Michael Schnabel, Monkeys, Stuttgart and Hannover, 2000 “German photographer Michael Schnabel’s large-format images of zoo interiors in Germany and Switzerland resonate with a minimalist beauty, which oddly emphasizes their mid-century modernist architecture.[…] Like Elephants/Rhinoceri, Stuttgart, some of the spaces Schnabel photographed resemble indoor spas rather than cages.…
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║ James Nizam ║
© James Nizam, Anteroom (pile of cabinets in room), 2007 © James Nizam, Dwellings #13, 2006 “James Nizam’s work reveals a fascination with the processes of change, decay, and reclamation within our built environment. His new series of colour photographs—shot inside abandoned houses slated for demolition—speaks eloquently about the booming real-estate market in Vancouver and…
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║ Richard Ross – Architecture of Authority ║
© Richard Ross, Guantanamo, Cuba © Richard Ross, Eastern State Penitentiary, Philadelphia © Richard Ross, Angola State Penitentiary, Angola Louisiana “For the past several years—and with seemingly limitless access—Richard Ross has been making unsettling and thought-provokingpictures of architectural spaces that exert power over the individualswithin them.From a Montessori preschool to churches, mosques, and diverse civic…
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║ Laurenz Berges ║
© Laurenz Berges, Berlin – Karlshorts III, 1995 © Laurenz Berges, Potsdam V, 1995 “Several images in the series record the intersection of architectural elements with the ground in harmonious if unspectacular compositions, pregnant with the implication of what might have occurred or still could occur there. In others, architectural elements enter into…
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║ Duarte Amaral Netto ║
© Duarte Amaral Netto, Growing Into © Duarte Amaral Netto, Rumor “In the new photographic series of works by Duarte Amaral Netto, the end of time seems near, doom and gloom awaits. Demolished office furniture in ruined interiors, by the hands of vandals maybe, or lvacated bya company now bankrupt or having moved to better…
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║ Shannon Benine (Chicago Project – part II) ║
caption (image above): © Shannon Benine, Westhope Standard, Westhope, North Dakota, January 2007. © Shannon Benine, Gas Flare Pit, Westhope, North Dakota, 2007 © Shannon Benine, Cafe, Westhope, North Dakota, 2007 Bellow, Shannon Benine’s statement about the project Westhope: “As wars in the Middle East, rising gas prices, and the search for…
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║ Joseph O. Holmes ║
© Joseph O. Holmes, Ganmar Electronics (Bench #2), from the Workspace series, 2007 © Joseph O. Holmes, Dominic, Third Avenue Scrap Shop, from the Workspace series, 2007 © Joseph O. Holmes, C & H Auto Repair, from the Workspace series, 2007 © Joseph O. Holmes, Tony, Ganmar Electronics , from the Workspace series,…
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║ Brad Moore ║
© Brad Moore, Trini Circle, Westminster, California, 2006 © Brad Moore, Islands, Westminster, California, 2007 “These photographs were shot in modest, well-worn, suburban cities in central and inland Southern California. Built in the 50s and 60s, these cities provided a new home and future to a post-war population. While Southern California’s coastal cities flourish, cities…
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║ Guy Tillim (South Africa – part I) ║
© Guy Tillim, Noverna Court, Paul Nel Street, Hillbrow, 2004 Jo’burg series © Guy Tillim, Nomasanto’s room, Jeanwell House, Nugget Street, 2004 Jo’burg series White residents fled Johannesburg’s inner city in the 1990s. The removal of the Group Areas Act foreshadowed a flow into the city of black residents and owners of small businesses seeking…
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║ Anthony Hernandez ║
© Anthony Hernandez, #31, from Pictures for Rome, 1999 © Anthony Hernandez, #9, from Pictures for Oakland, 2000 Some people ask, “What’s so important or compelling about taking pictures of such unpleasant subjects like city dwellers?” . . . My work may be beautiful or it might not be, that just isn’t what I am…
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║ Anne Hardy ║
© Anne Hardy, Untitled I (cobwebs), 2003 © Anne Hardy, Cipher, 2007 “Anne Hardy’s interiors look aged, as if they were lived in or used for years and years in pursuit of some specific, perhaps obsessive aim, (…) and then photographed after everyone’s left. They are plenty of labeled cubby holes, cigarette butts, trophies, assorted…
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