Christine Elfman‘s website can be seen here.
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Quarantine (bookmarks clean up) – Cecile Perra
Cecile Perra‘s website can be seen here.
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Quarantine (bookmarks clean up) – Frank Robert
Frank Robert’s website here.
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Quarantine (bookmarks clean up) – Jennifer Niederhauser Schlup
Jennifer Niederhauser Schlup’s website here.
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Quarantine (bookmarks clean up) – Wilma Hurskainen
THE MAN COMES AROUND 2015- The Man Comes Around explores a crucial turning point in the history of humanity; a point where climate change, overpopulation and a rapid decline in biodiversity threaten the whole of Western civilization. In the photographs of Hurskainen, this crisis comes to be represented by the ageing, white heterosexual male, a man…
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Quarantine (bookmarks clean up) – Shelli Weiler
Shelli Weiler’s website here.
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Quarantine (bookmarks clean up) – Cris Bierranbach
Cris Bierranbach’s website here.
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Quarantine (bookmarks clean up) – Liz Steketee
Liz Steketee’s website here.
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Experimental work and printing techniques (part V)
Caption (image above): lumen on expired 120 ektachrome film (by Sofia Silva) More about Nobuhiro Nakanishi‘s work here. Nobuhiro Nakanishi: “The theme of my work is ‘the physical that permeates into the art piece.’ In a foggy landscape, we no longer see what we are usually able to see – the distance to the…
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Experimental work and printing techniques (part IV)
Caption (image above): lumen on expired 4×5” ektachrome film (by Sofia Silva) More about Jacqueline Butler‘s work here. Jacqueline Butler: “Glass and Paper Landscapes evolved from a study of the collection of negatives and prints of the photographer and author Charles Dodgson (Lewis Carroll) held in the Insight Photographic Archive at the National Media…
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Experimental work and printing techniques (part III)
Caption (image above): image of filter used for anthotype work (by Sofia Silva) More about Katie Kalkstein‘s work here. … More about Tina Rowe‘s work here. Tina Rowe: “This work in the baldest terms comes from a series of negatives that were found in a bin with other items related to photography. It seems…
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Experimental work and printing techniques (part I)
Caption (image above): lumen on expired agfa fiber bromide paper (by Sofia Silva) More about Almudena Romero‘s work here. Almudena Romero: “Growing Concerns uses plants from former British colonies as a canvas to host images that reflect on the links between plant trade, colonialism and migration, and the legacy of these in modern day…
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Collages by Timothy Nolan
More of Timothy Nolan’s work here. In my current work, I start with handmade collages, combining photography of unique geological terrain, outdated scientific graphics, and Art Deco patterns. These are scanned, digitally and manually marked, cut, and re-collaged. The larger works are then printed on aluminum or vinyl (in the case of the recent wall…
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Jacob Burge’s juxtapositions
More of Jacob Burge’s work here. “Computers are quietly taking over as our main source of memory back up. Enabling us to store, display and edit our version of reality”, excerpt from Burge’s statement about Recall. … “Japan has got a lot of active volcanoes. The internet tells me there are about 110 of them,…
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Soraya Vasconcelos
image caption (above): © Soraya Vasconcelos, untitled, digital c-print, 122×163 cm, 2007. More of Soraya’s recent work can be seen here. Models of “territories” are constructed with organic matter and inorganic material: paint, pigments, varnishes, wax, plaster… There is a process of constructionIs it possible to formulate a general theory of artistic collaboration? And…
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٠ Susan Hiller & the transformative potential of investigation ٠
caption (above): Susan Hiller, Sisters of Menon, 1972 -79. 4 L-shaped panels of automatic writing, blue pencil on A4 paper with typed labels Susan Hiller, Dedicated to the Unknown Artists, 1972-76. Installation view, Tate Britain, London. «In fact, Hiller herself has commented that what her archive includes are moments missed, fleeting encounters with a movement…
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┐ Hanne Darboven – Cultural History └
© Hanne Darboven, Kulturgeschichte 1880-1983 (Cultural History 1880-1983), 1980-83. Installation view at Dia:Beacon, Beacon, New York. Lannan Foundation Bill Carke: You first saw Cultural History in 1996 at the Dia Art Foundation’s Chelsea space. Can you recall what your response to the work was back then and how it’s evolved since? Dan Adler: (Laughs) My…
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┐ Assaf Shaham – in the gap between the comma and its following letter └
© Assaf Shaham, Untitled, from the series Time After Time and Again “The work Time after Time and Again deconstructs photography into its components and reassembles them on one surface that encompasses the essence of the photographic act, the fundamentals of color photography, and the marvel that combines light and time into a photograph.…
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┐ If the erect penis is not ‘wholesome’ enough to go into museums it should not be considered ‘wholesome’ enough to go into women └
“Nearly a decade later, Fillette would figure prominently in a photographic portrait of Bourgeois by Robert Mapplethorpe. The portrait, in which the (then-) seventy-year-old artist smiles mischievously for the camera while carrying the sculpture in the crook of her arm, was commissioned by the Museum of Modern Art as the frontispiece to its catalogue for…
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┐ The blind man and his visual clarity └
caption (above): © João Maria Gusmão & Pedro Paiva Terence Koh, God, 2007. View of the performance at de Pury & Luxembourg, Zurich. Courtesy Peres Projects, Berlin. Installation view of Terence Koh (Whitney Museum of American Art, New York, January 19–May 27, 2007). Photograph by Sheldan C. Collins © Hiroshi Sugimoto, Self-portrait, 2003 © Hiroshi…
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