Cris Bierranbach’s website here.
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Experimental work and printing techniques (part V)
Caption (image above): lumen on expired 120 ektachrome film (by Sofia Silva) More about Nobuhiro Nakanishi‘s work here. Nobuhiro Nakanishi: “The theme of my work is ‘the physical that permeates into the art piece.’ In a foggy landscape, we no longer see what we are usually able to see – the distance to the…
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Experimental work and printing techniques (part IV)
Caption (image above): lumen on expired 4×5” ektachrome film (by Sofia Silva) More about Jacqueline Butler‘s work here. Jacqueline Butler: “Glass and Paper Landscapes evolved from a study of the collection of negatives and prints of the photographer and author Charles Dodgson (Lewis Carroll) held in the Insight Photographic Archive at the National Media…
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Experimental work and printing techniques (part III)
Caption (image above): image of filter used for anthotype work (by Sofia Silva) More about Katie Kalkstein‘s work here. … More about Tina Rowe‘s work here. Tina Rowe: “This work in the baldest terms comes from a series of negatives that were found in a bin with other items related to photography. It seems…
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Experimental work and printing techniques (part II)
Caption (image above): lumen on expired 4×5” ektachrome film (by Sofia Silva) More about Lesia Maruschak‘s work here. Lesia Maruschak: “ERASURE: Memory and The Power of Politics has three points of departure: A practice entitled damnatio memoriae – a Latin phrase dating back to the 4th century BCE – resulting in the erasure of…
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┐ Eric Rondepierre └
photo caption (above) © Eric Rondepierre, Couple, passant, 1996-98 © Eric Rondepierre, Confidence, 1996-98 © Eric Rondepierre, Le Voyeur, 1996-98 “That impossible photogram, as Roland Barthes said. An object which is not (even) an object, but at the same time is actually two objects. It doesn’t (really) belong to the cinema or (simply) to photography…
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┐ AUTOMATISM as direct action └
© Bryan Lewis Saunders, under the influence of butane honey oil (left) and morphine IV (right) © Bryan Lewis Saunders, under the influence of 1/2g cocaine (left) and 1 “bump” of crystalmeth (right) “After experiencing drastic changes in my environment, I looked for other experiences that might profoundly affect my perception of the self. So…
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┐ Martin Seeds └
© Martin Seeds, from the project I have troubles[…] © Martin Seeds, from the project I have troubles[…] © Martin Seeds, from the project I have troubles[…] “I never set out to document anything. It was more of a search, an investigation. I wanted to understand more of myself. To find others like me. I…
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┐ Barbara Hammer └
“When I was seven, when I was sixty-seven, my desire was the same. All I wanted was a horse in my backyard. I truly believed as a youngster that I would wake up one morning on my birthday and find a horse tethered, eating lawn grass and waiting for me. The surprising thing is that…
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┐ Annie Collinge └
© Annie Collinge, Project with Sarah May © Annie Collinge, Project with Sarah May Annie’s home here and her blog here Sarah’splace here
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┐ Holly Birtles └
© Holly Birtles, Lucy, from the 1f Opera Series, 2011 © Holly Birtles, Yuri, from the 1f Opera Series, 2011 More of Holly’s work here
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┐ Sabrina Biancuzzi └
© Sabrina Biancuzzi, Untitled, from the series L’instant P, 1986 © Sabrina Biancuzzi, Untitled, from the series L’instant P “Specialised in film photography and old-style development processes, Sabrina Biancuzzi is both a photographer and engraver. A young woman passionate about what she does, she loves both working in the lab and the grain of film…
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N I H I L S E N T I M E N T A L G I A, 