a blog about photography by Sofia Silva
I started to work on this image about four months ago. It’s been a long and extremely slow process. I was sure about the scale I would be working on (7 meters long by 1,5 meters high – 300gr watercolor roll paper) and the species I wanted to represent – o Canavial; the cane field…
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caption (image above): some of the posters created for LESMA. Whatever the projects we get ourselves into, there’s always a decent amount of negligence involved, isn’t there? That’s how I feel when I think of this recent project I got myself into – LESMA (slug). Obviously, instead of “negligence”, I could have chosen a more…
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It’s been seven days as I write this. Luva, one of the family dogs, left this world. The circumstances are still hard to process and detailing them is still not an option. I think part of the trauma that settled in was potentiated by having to deal with the possibility of loosing all my canine…
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Just another end-of-the-academic-year post. Another academic semestre that made us all stretch our creative brains to make the best out of another confinement situation. Although my relationship with online classes is still one of rejection, I did learn something from what happened last year and was more resourceful this time around (or so I think).…
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caption (image above): © Riccardo Angei, from Glue and Souls. I’d like to state, with a certain amount of certainty, that the only thing that sets men and women apart is that we’ll never be able to explain to men what it feels like to be a woman in a men’s world. They know, they empathize,…
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It’s been a relatively organic process the way this blog has step into a coma. It’s not dead, nor am I thinking about killing it, since Nihilsentimentalgia works as a memory replacement: if I can’t remember the name of this or that author, I can always find her/him here, for I never forget the images…
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It’s obviously a discussion on the agenda and Portugal isn’t an exception. Some recent events moved me to write this post. So, first, a personal note about the image presented above: I’ve been preparing a workshop that addresses the political clima. You can say it’s an artivism workshop, but I prefer to see it as…
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About a year and a half ago, I was invited by Recyclart – thru Vincen Beekman – to write about one of their community projects. It was a bit of an ethical dilemma, but I accepted, though I kept thinking Why am I looking at these images? The paragraph bellow, from the text published –…
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caption (image above): A photograph from Alphonse Bertillon’s photo album from his exhibition at the 1893 World’s Columbian Exposition in Chicago. Mental Illness and depression, in particular, have been the talk of the month, given that the confinement has sparked new conversations about social interaction, human kindness and wellbeing and, of course, the lack of…
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As another academic year approaches the finish line, I’m again inclined to reflect on what happened and what could be done differently, from hereon. However, as we all know, this was not just “another” school year. Now that my online classes finally came to an end and I’m fully back at regular classes with all…
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What this pandemic is exposing about the “art world” in Portugal is not surprising. However, seeing it all out in the daylight and under such a condensed time-frame is somewhat mind-blowing. I’ll try not to go into specific problems being discussed here, for I feel most of the episodes that have led to this text…
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Christine Elfman‘s website can be seen here.
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Cecile Perra‘s website can be seen here.
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Frank Robert’s website here.
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Jennifer Niederhauser Schlup’s website here.
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THE MAN COMES AROUND 2015- The Man Comes Around explores a crucial turning point in the history of humanity; a point where climate change, overpopulation and a rapid decline in biodiversity threaten the whole of Western civilization. In the photographs of Hurskainen, this crisis comes to be represented by the ageing, white heterosexual male, a man…
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Shelli Weiler’s website here.
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Cris Bierranbach’s website here.
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Liz Steketee’s website here.
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Caption (image above): untitled, Sofia Silva. From time to time I go back to this issue. It’s inevitable. With no surprise, the modern art world (at least what is made visible) has always been contaminated by the capitalist relationships that structure our societal living. This month, I came across some events, news and debates about…
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N I H I L S E N T I M E N T A L G I A, 