A reaction to Jerry Saltz article ‘Generation Blank’, published in the New York Mag on Jun 19, 2011. This work was exhibited in Berlin, alongside Jerry Saltz’s text.
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excerpt from Jerry Saltz’s article:
Our culture now wonderfully, alchemically transforms images and history into artistic material. The possibilities seem endless and wide open. Yet these artists draw their histories and images only from a super-attenuated gene pool. It’s all-parsing, all the time. Their art turns in on itself, becoming nothing more than coded language. It empties their work of content, becoming a way to avoid interior chaos. It’s also a kind of addiction and, by now, a new orthodoxy, one supported by institutions and loved by curators who also can’t let go of the same glory days.
Art schools are partly the villain here. (Never mind that I teach in them.) This generation of artists is the first to have been so widely credentialed, and its young members so fetishize the work beloved by their teachers that their work ceases to talk about anything else. Instead of enlarging our view of being human, it contains safe rehashing of received ideas about received ideas. This is a melancholy romance with artistic ruins, homesickness for a bygone era. This yearning may be earnest, but it stunts their work, and by turn the broader culture.