Every trace of death is benettoniful

caption: Oliviero Toscani for Benetton, 1992. In 1982 the Mafia killing of Benedetto Grado in Palermo, Italy, was captured by Franco Zecchi. Ten years later the image was featured in Benetton’s spring/summer 1992 campaign. Various publications refused to publish the image and the dead man’s daughter claimed she would sue, asking: “How does my father’s…

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Screening men as objects of desire

The biggest problem I see in addressing the question of the objectification of men (or the representation of men as objects of desire) is that we can’t really avoid comparing it to the objectification of women and that is such a heavy burden to carry… Having said this, I’ll try and take the boat through…

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┐ Kevin Van Aelst └

I don’t usually post on photographers whose work is being highlighted by other photography bloggers, since people who visit this place are often the same. I like to offer something else, and for that I trust my own parallel research. There are times like this when I shred that “rule” to pieces given the impact…

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┐ Jan von Holleben └

© Jan von Holleben, Untitled #14, from the series Mystery of Monsters, 2009 © Jan von Holleben, Untitled #15, from the series Mystery of Monsters, 2009 “Like amateur pornography, the pleasure of von Holleben’s work derives from its honesty. “People appreciate I’m not over-constructing an image: changing it in Photoshop 25 times, and their sense…

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