⁞ On the use of Photomontage as an anti-establishment tool ⁞

Henry Peach Robinson, Fading Away, 1858. Oscar Gustava Rejlander, Two ways of life, 1857. John Heartfield, Adolf, Self-portrait with Police, 1929. Raoul Hausmann, Le Critique d’art, 1918. Alexander Rodtchenko, Montages, 1923. László Moholy-Nagy, The Olly and Dolly Sisters, 1925. Hannah Höch, The Bride, 1933. Paul Eluard, L’Hystérie, circa 1928. Man Ray, Observatory Time –The Lovers,…

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⁞ On the use of Assemblage as a discursive tool ⁞

Pablo Picasso, Still-life, 1914. Pablo Picasso, Glass of Absinthe, 1914. Kurt Schwitters,Merz Construction, 1921. Kurt Schwitters, Small Sailors’ Home, 1926. André Breton, Poem-Objet, 1935. Joseph Cornell, Abeilles, 1940. Joseph Cornell, Lauran Bacall, 1945-46. Josh Latham, Belief System, 1959. Robert Rauschenberg, Coca-Cola plan, 1959. Daniel Spoerri, Word Snares, 1964. Daniel Spoerri, Skin diseases, 1985-86. David Lynch,…

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