≡ The Hyères School of Photography ≡

My love for the Hyères Festival is known. I’ve written about it and have featured a great deal of the authors shortlisted each year. The judging panel has been responsible for issuing a statement about what they want to see in contemporary photography and it has been bold and exciting, for Hyères always awards an…

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≡ This Sunday, while cleaning up my bookmarks ≡

I all images © Vasantha Yogananthan, from the series Piémanson. “For Piémanson, photographer Vasantha Yogananthan documents the last free beach in France, capturing the vibrant community that emerges on its shores each summer. Every May, the idyllic beach, located the Camargue Regional Nature Reserve, opens its ten kilometer expanse to campers, who build temporary lodgings…

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⁞ How Kalen Hollomon’s collages reflect the general confusion about the core of a subversive attitude ⁞

Trying to make a point with digital cut and paste, here are excerpts of reviews and interviews with collage artist Kalen Hollomon, accompanied by images of his playful work. © Kalen Hollomon © Kalen Hollomon NYMAG: […] Hollomon claims it’s been “embarrassing” to take the iPhone photos that garner him thousands of likes each day…

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٠ The ‘ancient’ art of cut & paste (using one’s own hands, if you can imagine) ٠

© Christine Gensheimer, Hunde, 2007. Photo-collage. © Christine Gensheimer, Eberhards, 2010. Photo-collage. © Maria Kassab, Fauve. Paper collage. © Maria Kassab, Sans-titre. Paper collage. © Maria Kassab, Slow This Bird Down, 2013. Photo-collage. © Isabel Reitemeyer, Herr A. und Frau I., 2008. Collage. © Isabel Reitemeyer, Frau L.. Collage. © Isabel Reitemeyer, Auf dem Arm.…

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٠ Love & Chance ٠

Chance having been defined as “the encounter of an external causality and an internal finality,” we have to ascertain whether a certain kind of “encounter” – in this case the essential one, that is, by definition the most subjectivized one of all – can be considered under the angle of chance without our immediately seeming…

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┐ Laurie Kang, multiple folds and a print └

© Laurie Kang, Untitled, C-print, 2013 © Laurie Kang, Untitled form (Sufficiency), Chromogenic paper, clamp, nail, 2012 © Laurie Kang, Untitled Forms (Sufficiency) Chromogenic paper, nail, clamp and C-print, nail, clamp, 2013 © Laurie Kang, Psychogeographic Waterfall, C-prints, 16″ x 20″, 2011 © Laurie Kang, Confused archive, 2013 © Laurie Kang, Natural Image (Unknown duration,…

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┐ Caitlin Rueter └

How To Be is a series of exercises that revisit and reimagine early 19th century primers for “young ladies.” I stumbled upon these manuals while researching 19th century etiquette books. Most include etiquette but only as part of a more comprehensive course of education. They were intended for upper-class girls and women who had few…

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┐ Sara Rahbar └

© Sara Rahbar, Untitled, from the series Love arrived & How red, photography, 2008 © Sara Rahbar, Trapped in Dark Night with Nowhere to Run, I Have Died a Million Times Every Night in this Bed (left) + Kurdistan Flag #5 (right), from the series Flags, mixed media + textiles, 2005-2010 © Sara Rahbar, Solitary…

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┐ Jane Hammond └

© Jane Hammond, Self-Portrait with Twin, 2011 © Jane Hammond, Face Facts, 2006 © Jane Hammond, The Touch-Up, 2009 © Jane Hammond, Cabrito, 2007 © Jane Hammond, Chai Wan Three, 2008 all selenium toned silver gelatin prints “The photographs grew out of the scrapbooks, also. I began collecting photos to put in them, and quickly…

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┐ Deborah Bohnert └

© Deborah Bohnert, Untitled, from the series Bohnert and Bohnert, 2005 © Deborah Bohnert, Untitled, from the series Bohnert and Bohnert, 2005 © Deborah Bohnert, Untitled, from the series The Little People, 2009 © Deborah Bohnert, Untitled, from the series The Little People, 2009 “…Dada had long operated according to the principle of instability, blurring…

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┐ Melinda Gibson └

© Melinda Gibson, from the project Photography as contemporary art, 2011 © Melinda Gibson, from the project Photography as contemporary art, 2011 If Melinda Gibson’s photomontages look familiar, don’t be surprised. A flash of Ed Burtynsky here, a slice of Juergen Teller there, they are all made up of elements of some of the major…

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┐ Julie Cockburn └

© Julie Cockburn, The Veil, Embroidery on found photograph, 2011 © Julie Cockburn, The Astronaut, Embroidery on found photograph, 2011 “The loss of, or manipulation of, the human face is the most disturbing and fascinating aspect of Cockburn’s work. These faceless or masked portraits me of John Baldessari’s manipulated mass-media images. He often used colored…

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┐ Luuk Wilmering └

© Luuk Wilmering, Call it by it’s name nr. 1, from the series Birds need shelter, 2011 © Luuk Wilmering, Birdhunters, from the series Birds need shelter, 2011 “Luuk Wilmering‘s latest series, Bird Needs Shelter, was largely created during his work period in the Holsboer studio in the Cité des Arts, Paris, in 2010/2011. Bird…

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