⁞ L’Hasard Photographique ⁞

Sofia Silva, Untitled, from L’Hasard Photographique, 2013/2014 Sofia Silva, Untitled, from L’Hasard Photographique, 2013/2014 Sofia Silva, Untitled, from L’Hasard Photographique, 2013/2014 Sofia Silva, Untitled, from L’Hasard Photographique, 2013/2014 Sofia Silva, Untitled, from L’Hasard Photographique, 2013/2014 Sofia Silva, Untitled, from L’Hasard … Continue reading ⁞ L’Hasard Photographique ⁞

┐ Laurie Kang, multiple folds and a print └

© Laurie Kang, Untitled, C-print, 2013 © Laurie Kang, Untitled form (Sufficiency), Chromogenic paper, clamp, nail, 2012 © Laurie Kang, Untitled Forms (Sufficiency) Chromogenic paper, nail, clamp and C-print, nail, clamp, 2013 © Laurie Kang, Psychogeographic Waterfall, C-prints, 16″ x 20″, 2011 © Laurie Kang, Confused archive, 2013 © Laurie Kang, Natural Image (Unknown duration, Found paper and binder’s board, 2013 Laurie’s website here Continue reading ┐ Laurie Kang, multiple folds and a print └

┐ Hannah Villiger (1951-1997) └

© Hannah Villiger, Untitled, 1980 – C-print from Polaroid © Hannah Villiger, Sculptural, 1993 © Hannah Villiger, Untitled, 1980/81 – 12 C-prints of polaroids “When trying to describe physical feelings of any kind, we find ourselves shortchanged by language. I arrived at this conclusion after several, always hopelessly crude attempts to describe fundamental moments in Hannah Villiger’s oeuvre. The public-at-large is quite capable of registering feelings of repulsion or extreme empathy when blood flows in the movies, when some-one is cut or surgery is performed, or when faced with eroticism, vertigo on a lookout tower or sports—all points on a … Continue reading ┐ Hannah Villiger (1951-1997) └

┐ roots & fruits #11 – Tiago Casanova └

© Tiago Casanova, all Untitled, from the project The Unknown Island “The airplane begins to descend. Madeira is down there. From far we can understand the feeling that the fifteenth century discoverers had when they saw Madeira (= Wood) for the first time, and from there we can easily guess the origin of the name. An intensive tropical vegetation fills and covers the island of green, but I cannot help but noticing the various urban clusters, scattered houses, roads and highways and the megalomaniac construction of the new airport. The constructed confronts the natural on a dual mode. Large scars … Continue reading ┐ roots & fruits #11 – Tiago Casanova └

┐ roots & fruits #1 – Ana Marta └

© Ana Marta, Untitled, from the series Palm Trees don’t belong here, Porto Santo, Portugal, 2012 © Ana Marta, Untitled, from the series Palm Trees don’t belong here, Porto Santo, Portugal, 2012 © Ana Marta, Untitled, from the series Palm Trees don’t belong here, Porto Santo, Portugal, 2012 © Ana Marta, Untitled, from the series Palm Trees don’t belong here, Porto Santo, Portugal, 2012 “Porto Santo is a summer tourist destination on the island of Madeira, appreciated for its natural resources, particularly for its beaches. However, in winter, this fascinating place is forgotten and left to cry (…) The title … Continue reading ┐ roots & fruits #1 – Ana Marta └

┐ Rachel Bee Porter └

© Rachel Bee Porter, #2, from Subzero © Rachel Bee Porter, #10 (Lemon Meringue Cake with Key lime Tartlets and Margaritas on the rocks), from he Joy of Cooking © Rachel Bee Porter, #3 (Blackberry Pie), from Wallflowers “Having grown up reading a multitude of home and lifestyle magazines, my work confronts the expectations that developed from buying into the alluring photographic fantasies of the pristine and perfect domestic life. I devoured every issue of Martha Stewart Living that I could find. Drawn in by the beautiful eye-catching photographs, I absorbed all of the tips, tricks and how-tos in those … Continue reading ┐ Rachel Bee Porter └

┐ Edmund Clark └

© Edmund Clark, Inmate’s table, from the project Still Life Killing Time © Edmund Clark, Stairwell, from the project Still Life Killing Time © Edmund Clark, Shared Room, from the project Still Life Killing Time © Edmund Clark, from the project Still Life Killing Time “Edmund Clark’s Still Life: Killing Time is a quiet meditation on the slowness, the fabric and the accoutrements of prison life for elderly inmates. It was two years in the making.(…) The only statement I can find directly from Clark, the photographer, is worth meditation. What you can see in the pictures is to what … Continue reading ┐ Edmund Clark └

┐ Xaviera Simmons └

© Xaviera Simmons, One Day and Back Then, 2007 © Xaviera Simmons, Landscape (2 Women), 2007 © Xaviera Simmons, If We Believe In Theory, 2009 “Simmons, as an artist, doubles down. She captures the fiction/truth dialectic as well as anyone, disarticulating assumptions about the quietly composed and staged images she makes. She’s a Brecht of the photographic endeavor. In her work, Simmons is not so much documenting the performance before the camera, but the performance itself. In one image from the series If We Believe in Theory, Simmons captures a young girl in the woods dressed like Little Red Riding … Continue reading ┐ Xaviera Simmons └

┐ Hallgerður Hallgrímsdóttir └

© Hallgerður Hallgrímsdóttir, Untitled, from the project the light of day, 2010-2011 © Hallgerður Hallgrímsdóttir, Untitled, from the project the light of day, 2010-2011 © Hallgerður Hallgrímsdóttir, Untitled, from the project the light of day, 2010-2011 © Hallgerður Hallgrímsdóttir, Untitled, from the project the light of day, 2010-2011 More of her work here Continue reading ┐ Hallgerður Hallgrímsdóttir └

┐ Robbie Nolan └

© Robbie Nolan, Untitled, from Trees © Robbie Nolan, Untitled, from Trees “The poet Keats spoke of how the ‘cold philosophy’ of science would, by explaining the mechanics of the physical world “unweave a rainbow”. In a sense the aim of this series of photographs was to display the falsity of this claim when related to colour. Colour is often thought of as something solid, immutable and objective. Certainly objective colour exists as measured in wavelengths of light, but this does not mean humans are able to view it objectively. The physiology of human sight is one easily susceptible to … Continue reading ┐ Robbie Nolan └

┐ Jane O’Neal └

© Jane O’Neal, Persimmon #1, from the project Environmental Memory – Part I – Home Grown, 2009 © Jane O’Neal, Apple Cactus, from the project Environmental Memory – Part I – Home Grown, 2009 “Jane O’Neal acquits her flatbed scanned portraits of flora and root systems with whiffs of the semi-clinical, sexualized near-abstractions of Edward Weston—an obvious comparison if for no other reason than subject matter. Due to advances in technology, the feats of the flatbed scanner, and her eye for fleshy, saturated palettes, her images are undeniably literal and escape all sentimentalism. There remains a bit of a lepidopterological … Continue reading ┐ Jane O’Neal └