┐ Martin Arnold’s politics of representation └

p “To discover an avant-garde film-maker who is able to combine theoretical and formal sophistication and widely accessible pleasure always seems something of a miracle. And yet it’s a miracle that Arnold has accomplished twice, in Pitce Touchie (1989) and Passage c l’acte (1993), two exhilarating, often laugh-out-loud-funny short films that demonstrate that avant-garde work…

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