Oscar Gustave Rejlander, Temps difficiles, 1860, épreuve à l’albumine argentique. What follows is an excerpt (the Conclusion) of Daniel A. Novak‘s article “Labors of Likeness: Photography and Labor in Marx’s Capital“, published in Criticism, 2007, Vol. 49, No. 2, pp. 125 – 150. Reading Marx alongside the discourse of nineteenth-century photography demonstrates that Marx’s theory…
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