٠ Authenticity: transcending the multiples and the originals ٠

© Annette Lemieux, Apparition, 1989. Chromogenic print. [A]s we have constantly been reminding ourselves ever since Walter Benjamin’s “Work of Art in the Age of Mechanical Reproduction,” authenticity empties out as a notion as one approaches those mediums which are inherently multiple. “From a photographic negative, for example,” Benjamin argued, “one can make any number…

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┐ Cara Judea Alhadeff └

© Cara Judea Alhadeff, Lost Valley, from the conscious dream project © Cara Judea Alhadeff, kunst-stoff, from the conscious dream project © Cara Judea Alhadeff, Exploratoreum, from Gestation (singles) © Cara Judea Alhadeff, south american tropical room, from gestation project © Cara Judea Alhadeff, art and revolution’s wailing women heads, from gestation project “As a…

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