© Annette Lemieux, Apparition, 1989. Chromogenic print. [A]s we have constantly been reminding ourselves ever since Walter Benjamin’s “Work of Art in the Age of Mechanical Reproduction,” authenticity empties out as a notion as one approaches those mediums which are inherently multiple. “From a photographic negative, for example,” Benjamin argued, “one can make any number…
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N I H I L S E N T I M E N T A L G I A, 