Nebreda: my everlasting love

David Nebreda’s work changed my life. It’s no mystery. I remember the first time I encountered his photographs (or they encountered me): it was in a sort of catalog – David Nebreda: Autorretratos (2002) -, that followed one of the author’s rare solo exhibitions, curated by Javier Panera, during the celebrations of the European Capital…

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Photo-catharsis by Leif Sandberg

So much has been said about Leif Sandberg‘s project Ending that words fail me. Still, the quality of his work and the importance it has for those, like me, who embrace photography both as a means of artistic expression, but also as a therapeutic tool, brought me here.  At Lenscratch, Aline chooses to stick to…

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⁞ Spencer Rowell’s therapeutic process ⁞

© Spencer Rowell, from the project Pathography of An Artist, 2013-14. Description: Session II (Ibid.) Rejecting the mother’s milk, perhaps the ‘feed’ is poisonous or unpalatable – yet what is rejected is full of light. (Eb., II. xx.) A triptych, religious-looking but based on a very non-sacred, commonplace piece of furniture. A dressing table, where…

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٠ ‘Am I Nothing But Black?’ ٠

© Myra Greene, from the series Character Recognition, 2005-08. Ambrotype on Black glass, 3 by 4 inches. © Myra Greene, from the series Character Recognition, 2005-08. Ambrotype on Black glass, 3 by 4 inches. © Myra Greene, from the series Character Recognition, 2005-08. Ambrotype on Black glass, 3 by 4 inches. © Myra Greene, from…

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٠ And Nothing Else Matters ٠

© Graham MacIndoe A beautiful news-piece in the Guardian about the story of Scottish photographer Graham MacIndoe and his documentation of his own heroin addiction, with the particularity of it being written by his partner. It’s still a perspective on what the process of consumption is like, but if we take a closer look at…

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┐ Jacinda Russell └

© Jacinda Russell, Strange Artifacts: A Photographic and Found Object @ J. Crist Gallery, installation view + details, Idaho, 2007 The wunderkammer or “room of wonder” draws heavily upon 16th century European cabinets of curiosity. I combined digital photography with found object sculpture by printing on canvas and encasing the images in weathered boxes, suitcases,…

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┐ Hannah Villiger (1951-1997) └

© Hannah Villiger, Untitled, 1980 – C-print from Polaroid © Hannah Villiger, Sculptural, 1993 © Hannah Villiger, Untitled, 1980/81 – 12 C-prints of polaroids “When trying to describe physical feelings of any kind, we find ourselves shortchanged by language. I arrived at this conclusion after several, always hopelessly crude attempts to describe fundamental moments in…

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┐ Iiu Susiraja └

@ Iiu Susiraja, Näytös, from the series Älä nyt suutu, 2008/09 @ Iiu Susiraja, Kannel, from the series Syömään, pöytä on katettu, 2010 “In Susiraja’s esthetics, an image does not remain an image; rather, it requires an entire life. Although Susiraja has focused on photography, her art genre is more comprehensive: to shape a work…

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┐ Sarah Maple └

© Sarah Maple, ‘Self portrait with Fried Eggs’, C-Type Print, 2008 © Sarah Maple, ‘I’ve got status anxiety (text)’ – Acrylic on paper collage © Sarah Maple, ‘I’ve got status anxiety’, C-Type Print, 2009 Sasha: When told that the theme of the current No More Potlucks was Ego, you quickly responded, “I have a lot…

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┐ Davide Maione └

© Davide Maione, Reaching © Davide Maione, Beaten (left) and Appeal (right), from Outlines and Annotations © Davide Maione, What it takes to keep a young girl alive “What It Takes to Keep a Young Girl Alive is a diptych of photographs that takes its title from a short story by Jayne Anne Phillips. Whilst being the…

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┐ Samuel Fosso └

© Samuel Fosso,La Bourgeoise, From the Series TA, 2007 © Samuel Fosso, Self-Portrait (as Liberated American Woman of the ’70s), 2007 “In every photograph the beautiful Fosso is subject, object and creator. Occasionally he includes other people, but their posture and placement relegates them to a secondary position. In one stagy, understated and slightly bizarre…

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