Jennifer Niederhauser Schlup’s website here.
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Diogo Simões and the rhythm of semiotics
caption: detail from Dioso Simões’ booklet in Propeller Propaganda. Deisgn by Paulo Arraiano. When we asked Diogo to collaborate with Propeller Propaganda, there was a lot of possibilities in the air and no pre-established idea of what he could publish. After some options were dropped, the series of photographs we then published was suggested, but…
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Art forgery in the XXI century
Eduardo Martins is no Wolfgang Beltracchi, but the truth is he managed to turn himself into a heroish-like-photojournalist. Regarding the substance of what was being created, there’s no similarities between Beltracchi and Martins, as the first was and is an extremely gifted technician and Martins just sounds like a sociopath, verging on the psychopath. No…
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≡ The authentic artificiality of cultural appropriation: it’s no nonsense ≡
Author Busisiwe Deyi writes about Cultural Appropriation in Africa is a Country, in the context of the SPUR restaurant chain. Although the text is about this specific brand, the arguments go for other situations. What the fuck is happening in the fashion world these days that everyone wants to be Native American? Or do they? Of…
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║ Christopher Williams ║
© Christopher Williams, Cologne, November 1, 2004, from the series For Example: Dix-Huit Leçons Sur La Société Industrielle. © Christopher Williams, Lodz, October 1, 2004, from the series For Example: Dix-Huit Leçons Sur La Société Industrielle. “What William’s practice has made evident in significant, compelling, and ravishing ways is that photographic meaning is…
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N I H I L S E N T I M E N T A L G I A, 