L’enfer, c’est les autres

L’enfer, cést les autres, Sartre’s famous exclamation in Huis Clos, it’s one of those sentences that in itself encloses a wide reflection about how human beings think about themselves. I am often reminded of the dictum when someone or something really gets one my nerves. I’m aware that when someone messes with my well-being the…

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What is style?

I miss the sort of stable relationship I used to have with nihilsentimentalgia. I love it here, but doing a doctorate has managed to mess with everything that’s dear to me. My closest family is still tolerating the commitment-turned-obsession, but I myself am close to reaching the point of not being able to hear me…

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≡ No room à l’hasard ≡

Excerpts of Brendan Cormiers’s essay No Interest in Reality, written for The New Institute’s exhibition, 1:1 Sets for Erwin Olaf and Bekleidung, Nov 11th 2013 – March 30th 2014. Full text here. “In the documentary, On Beauty and Fall, celebrated Dutch photographer Erwin Olaf states that he has no interest in reality. He laments the…

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٠ Thomas Susanka’s ‘The Rhetorics of Authenticity: Photographic Representations of War’ (II of II) ٠

(continuation. part I here) PROXIMITY AND IMMEDIACY With regard to war photography, we can isolate several major criteria of authenticity that have prevailed over the course of the last 60 years. Most prominent is the impression of spatial proximity and temporal immediacy with respect to the events depicted. Photographs satisfying these criteria create the impression…

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