Syria: this is what a genocide looks like

  I won’t pretend to understand the full history of what’s happening in Syria. Even attempting to understand the historical, political, sociological and geographical conditions that led Syrians to their current situation, I would still fail to grasp the brutality of what’s been happening there since the uprising back in 2011. A genocide is happening…

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The God Complex (photography and its marketplaces)

Campaign posters for the British Army (by agency Karmarama), targeting youth and using the same psychological strategies used in propaganda recruitment from extremists groups, making youngsters believe they need a higher purpose in life and offering the solution: to join the army. Image showing the installation of a photograph in the context of an exhibition.…

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Art forgery in the XXI century

Eduardo Martins is no Wolfgang Beltracchi, but the truth is he managed to turn himself into a heroish-like-photojournalist. Regarding the substance of what was being created, there’s no similarities between Beltracchi and Martins, as the first was and is an extremely gifted technician and Martins just sounds like a sociopath, verging on the psychopath. No…

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WPP 2017 (our best)

These are clearly not the most extraordinary photographs from the competition, yet in my opinion they stand out because instead of portraying the worst about humanity (our profound hatred of the Other, our fear of change, our disrespect for nature, the war, the war, the war, the killing, the killing, the killing), they show our…

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٠ Thomas Susanka’s ‘The Rhetorics of Authenticity: Photographic Representations of War’ (II of II) ٠

(continuation. part I here) PROXIMITY AND IMMEDIACY With regard to war photography, we can isolate several major criteria of authenticity that have prevailed over the course of the last 60 years. Most prominent is the impression of spatial proximity and temporal immediacy with respect to the events depicted. Photographs satisfying these criteria create the impression…

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