Experimental work and printing techniques (part VII)

Caption (image above): lumen/chemigram (by Sofia Silva).   More about Ross Faircloth‘s work here.  Ross Faircloth about Dark Grandeur (excerpt): This series of works focuses on the darkroom and printing aspect of photography as a means for pure expression, as the camera and act of photographing takes backstage, or a supporting role. This is accomplished by…

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Colour #4: Paula Riff

The first group of images featured below is part of a project entitled What’s love got to do with it. Here’s Paula Riff‘s statement about that project:  I believe in love but it comes and goes.  Like the falling of leaves, love often falls gently to the ground; at least that’s my experience. Marbling paper…

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Colour #3: Aleksandra Vajd

All that is to know about Aleksandra Vajd’s project “Friends of friends are friends” (featured below) can be find in a text by Laura Amann, here. I see, I smell, I feel and hear these photographs reaching me. In Laura Amann’s words: The abstract nature requires us to focus on the process, materiality and technique.…

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≡ John Brill’s Lynchian Universe in photographs ≡

John Brill, Self-portrait, Chihuanhuan Desert, Mexico,1987 (1987-A), printed 2013 Pigment print on rag, with UV-shielding varnish. John Brill, Trish, 2013. Still from video. VHS tape; eight hours. Every Boy’s Dream, 2013. Installation views. “John Brill’s faux spirit-photographs are enough to make you believe in ghosts, extraterrestrials and visitations of all kinds. Mr. Brill, who is…

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