┐ Irena Lagator, responsible resistance └

© Irena Lagator Pejović, Resistence Reservoir, 2012. Equation in english, montenegrin and german written on an ex Mazut (fuel oil) reservoir @ garden of the Ministry of Culture, public project for Cetinje, Montenegro © Irena Lagator Pejović, Knowledge of the Limited Responsibility Society (extended), 2012. Ongoing series of original customer receipts bound in 18 books.…

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┐ Jane Hammond └

© Jane Hammond, Self-Portrait with Twin, 2011 © Jane Hammond, Face Facts, 2006 © Jane Hammond, The Touch-Up, 2009 © Jane Hammond, Chai Wan Three, 2008 all selenium toned silver gelatin prints “The photographs grew out of the scrapbooks, also. I began collecting photos to put in them, and quickly became obsessed with all the…

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┐ Deborah Bohnert └

© Deborah Bohnert, Untitled, from the series Bohnert and Bohnert, 2005 © Deborah Bohnert, Untitled, from the series Bohnert and Bohnert, 2005 © Deborah Bohnert, Untitled, from the series The Little People, 2009 “…Dada had long operated according to the principle of instability, blurring distinctions between art and mass media (in photomontage), art and mass…

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┐ Minna Pöllänen └

© Minna Pöllänen, Hiltop, from the project Attempts, 2010 © Minna Pöllänen, Water, from the project Attempts, 2011 ©“Made on an undeveloped 0.75-hectare piece of family land, Attempts maps out a survey into the notion of landownership. Through collecting, containing and marking different pieces of the landscape the project explores the various geographical and topographical…

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┐ Robbie Nolan └

© Robbie Nolan, Untitled, from Trees © Robbie Nolan, Untitled, from Trees “The poet Keats spoke of how the ‘cold philosophy’ of science would, by explaining the mechanics of the physical world “unweave a rainbow”. In a sense the aim of this series of photographs was to display the falsity of this claim when related…

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┐ Jean-Noël Pazzi └

© Jean-Noël Pazzi, figure 5 – les cadavres exquis, from the project In(ter)vention © Jean-Noël Pazzi, forêt 6 – paysage, from the project In(ter)vention © Jean-Noël Pazzi, figure 3 – les cadavres exquis, from the project In(ter)vention “Ménager les site frappés de croyance comme indispensable territoire d’errement de l’esprit. Gilles Clément Manifeste du tiers paysage…

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┐ Ting Cheng └

@ Ting Cheng, Icy Yoga Lesson, 2012 @ Ting Cheng, Where is my home, 2009 excerpt from an interview by Alexandra Plesner, from Dazed Digital Dazed Digital: Your images give the impression of a dreamer, trying to escape this asylum called life. Why does this concept fascinate you so much? Ting Cheng: As human beings,…

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┐ Michal Heiman └

CRITICAL IMAGE: MICHAL HEIMAN, By Dr. Ariella Azoulay Michal Heiman chose the position of the spectator looking at someone else’s photographs taken by someone else, in which someone else is photographed, which someone else collected. Heiman turns this quintessential position of spectator (in a museum, but not only) into her own, elaboration and giving it…

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┐ Zlatko Kopljar └

© Zlatko Kopljar, from the series K11, 2007 © Zlatko Kopljar, from the series K11, 2007 Although Zlatko is known for his performances (his k9 compassion series leading the show), I hereby present two photographs from a series intended to dignify his fellow colleagues and artists who never aimed to be apart of the mainstream,…

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┐ Gunnel Wåhlstrand └

© Gunnel Wåhlstrand, © Gunnel Wåhlstrand, White Peacocks, 2007/2009 109 x 160 cm, ink-wash on paper “For eight years, Wåhlstrand has worked exclusively with a kind of re-development of private photographs, using black ink and water, a precise and time-consuming technique that she masters to perfection. The earlier body of motives consisted of her father’s…

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║ Víctor Vázquez ║

a© Víctor Vázquez, Borders, from the series Body to body, 2005-2009 © Víctor Vázquez, Anthropophagy, from the series Body to body, 2005-2009 “Art produced in the Caribbean teems with images alluding to migratory phenomena of diverse nature, as much for its motivations as for the circumstances of the journey. This imaginary utopia associated with geographic…

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