More of Timothy Nolan’s work here. In my current work, I start with handmade collages, combining photography of unique geological terrain, outdated scientific graphics, and Art Deco patterns. These are scanned, digitally and manually marked, cut, and re-collaged. The larger works are then printed on aluminum or vinyl (in the case of the recent wall…
Read MoreColour #4: Paula Riff
The first group of images featured below is part of a project entitled What’s love got to do with it. Here’s Paula Riff‘s statement about that project: I believe in love but it comes and goes. Like the falling of leaves, love often falls gently to the ground; at least that’s my experience. Marbling paper…
Read MoreColour #3: Aleksandra Vajd
All that is to know about Aleksandra Vajd’s project “Friends of friends are friends” (featured below) can be find in a text by Laura Amann, here. I see, I smell, I feel and hear these photographs reaching me. In Laura Amann’s words: The abstract nature requires us to focus on the process, materiality and technique.…
Read MoreColour #1: Akihiko Miyoshi
Here is a selection of Akihiko Miyoshi’s profound, complex and beautifully coloured work. Photography’s impulse to depict in its most utilitarian tendencies (for example photo-journalism as art) creates, to use the artist Jeff Wall’s words, the “most problematic kind of photograph” which anchored itself through social validity. This to me is an insufficient condition for…
Read MoreNo singular observer, after Marie-José Mondzain’s ‘Can images Kill?’
Knowing about my fixation with the ethics of photography, particularly when it comes to documentary images, a friend suggested I might be interested in a portuguese edition of Marie-José Mondzain‘s ‘Can images Kill’. As I went searching online, I came across an article, with the same title, that she had published back in 2009, @…
Read MoreMarco Breuer: brightness can fool you
Breuer has been making abstract photographs since the early 1990s. However, in contrast to Aaron Siskind, whose black-and-white photographs of walls were linked to the gestural paintings of the Abstract Expressionists, particularly those of his friend Franz Kline, Breuer works with sheets of chromogenic paper, which, as the label for “Untitled (C-1773)” (2016) informs us, has been “exposed/…
Read More┐ Eiffel Chong └
© Eiffel Chong, Untitled, from the series Royal Malaysia Police “I came across an abandoned police station and found identity photographs of the police personnel being scattered around. Most of them still look good, except for a layer of dust on top of the photographs. However, there were some that have been destroyed by the…
Read More┐ Gazing through the hole I – Julie Schachter └
© Julie Schachter, Powder Obscura Camera & Absolution (20), 2009 © Julie Schachter, Not out of the woods yet © Julie Schachter, Who’s Who 1980 Book on Tripod more of Julie’s work here
Read More┐ Cláudio Ferreira └
© Cláudio Ferreira, all Untitled, from the series Space Project nº 1 – Galaxies, 2012 “And yet, the absence of the subject does not have to be interpreted as a deficiency. Quite the opposite, it could indicate a new quality in the revolution, in a henceforth molecular revolution, and the primacy of multiplicity within it.…
Read More┐ Maya Rochat └
@ Maya Rochat, Siren (terrorist), 2010 @ Maya Rochat, Siren (III), 2010 More of Maya’s work here
Read More┐ Bill Durgin └
© Bill Durhin, Untitked, from the series Nudes and Still Lifes © Bill Durhin, Untitked, from the series Nudes and Still Lifes “Nudes and Still Lifes is a series of photographs that reverberate between the languages of attraction and abjection, painting and performance, photography and sculpture. While specific poses riff on gestures and peripheral details…
Read More