Everyday, I wake up, hear the news, see some photographic registers of the previous events in Ukraine, get nauseated, shed a few tears and then re-fuel the level of frustration. It’s masochism, but I can’t avoid it. My irritation regarding what photography has been doing in relation to this particular war has been escalating to…
Read More‘My Visual Demon and Sci-fi Trump’, by Li Lorian (Ten years of Nihilsentimentalgia)
I’ve been following Nihilsentimentalgia for the past six years or so. I visit the blog every two or three months and read an entry or two. It’s an open but stable relationship. It seemed that every time I read the blog there are texts exactly matching the issues I currently grapple with, like a creepy…
Read MoreI’m haunted by images and I’m taking a break (beware these images are shocking)
I’ve started this post two months ago and since then Nihilsentimentalgia has been as slow as it gets. I’ve been wondering whether this blog should take a break. Being its tenth year, I thought I’d be motivated to write with a certain cadence, but the opposite has happened. I’m feeling overwhelmed by images and I’m…
Read More‘TOO GRAPHIC TO IGNORE’
photo: Palestinian mourners carry the body of eight-month-old Palestinian baby Leila Anwar Ghandoour, who died from tear gas inhalation in Gaza City on 15 May 2018 [Mustafa Hassona/Anadolu Agency] As of Sunday, a succession of events has once again reanimated a question that often comes to mind, namely: what would make me go into exile? Throughout…
Read More‘Pictures of atrocity’ and ‘Pornographic imagery’, a conversation with Alfredo Jaar
Still regarding the fires in Portugal and the choices made by the media, a well known Portuguese historian, Pacheco Pereira, said overall the journalists had entered into a sort of “pain masturbation”. In cases of tragedy, where human drama in incommensurable, is not unusual to use or hear expressions that relate to sex or to…
Read MorePhotojournalism under fire
I don’t doubt the need for photojournalism and I’m aware that what I’m about to do is, in a lot of senses, offensive, particularly to the experiences photojournalists go through in order to document situations that are horrible, unimaginable, experiences one really has to go thorough in order to understand what they’re about. Having said…
Read MorePitch-black
It’s a dark day in Portugal. A huge fire hit a central region of the country and the worst happened. Because a part of my family was caught in the fire, my objectivity to talk about this situation is absolutely compromised. They are all alive, and that is what matters today. This is a blog…
Read MoreWhen is a picture of atrocity “needed”?
This past March, a painting by white american author Dana Schutz triggered an interesting discussion that ultimately lead to a debate about freedom of expression. The painting in question (featured below) is titled Open Casket and was exhibited at the Whitney Biennial, sparking protests (in front of the artwork) and a particular letter, who a particular black artist,…
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