┐ Francis McKee went to Istanbul └

At the moment (11th June 2013; 1pm) in Istanbul, the police is trying to clear out Taksim square with water canons and tear gas. Protesters are putting up a fight, setting up more and more barricades and lightning some points on fire. “30 lawyers protesting against handling of Gezi protests detained in front of courtroom…

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┐ Yayoi Kusama └

© Yayoi Kusama, Silver Squid Dress, 1968-9 © Yayoi Kusama, Self-Portrait, 1962 © Yayoi Kusama, Horse Play © Yayoi Kusama, Self-Obliteration By Dots, 1968. Photo © Hal Reiff © Yayoi Kusama, photography copyright © Harrie Verstappen “Rather than confirming the ontological coherence of the body-as-presence, body art depends on documentation, confirming-even exacerbating-the supplementarity of the body…

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┐ AUTOMATISM as direct action └

© Bryan Lewis Saunders, under the influence of butane honey oil (left) and morphine IV (right) © Bryan Lewis Saunders, under the influence of 1/2g cocaine (left) and 1 “bump” of crystalmeth (right) “After experiencing drastic changes in my environment, I looked for other experiences that might profoundly affect my perception of the self. So…

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┐ Direct Action └

photo by © Javier Barbancho LEADERS of a workers’ union in southern Spain staged a massive raid on two supermarkets on Tuesday, filling at least 30 trolleys with staple foodstuffs to give to the poor. They gave their entire haul to local ‘food banks’ which supply hampers to families who no longer have any income…

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┐ Calais: this border kills └

@ Julie Rebouillat,No Border Calais, manif, 27 June 2009 Refugees in Calais find shelter where they can, in spaces left abandoned or neglected by French citizens. Some sleep in the park or under the canal bridges. Most live in one of two kinds of dwellings: (a) squats in deserted buildings, of which there are many…

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┐ Chen Qiulin └

© Chen Qiulin, Ellisis’s Series No. 3, 2002 (photograph) © Chen Qiulin, Peach Blossom, 2009 (dvd still) At a time when her understanding of contemporary art was still limited, Chen was unexpectedly invited to partake in Parabola, a satellite show of the First Chengdu Biennale (2001). On this occasion she created Ellisis (. . .…

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