I once wrote a brief post about the effects of the Düsseldorf school, following Grant Scott‘s article Has the Düsseldorf school killed photography? (which I can no longer find available online). At the time, I hadn’t given much thought to the scientific nature of photography, because I tend to deviate from that approach. However, as I’m…
Read More٠ Simultaneity: art & science coming together to ocupy the brain? ٠
“The Negation of Time, Prologue” at Le Laboratoire, by William Kentridge with Peter Galison and Philip Miller (Photograph by Phase One Photography) It’s possible that scientists and artists may have one side of their brain more dominant than the other, with the broadly opposite characteristics of logic and creativity, but the best innovations in both…
Read More┐ Susan Boafo, organic photography └
© Susan Boafo, Organs of Extreme Perfection, 2011 © Susan Boafo, Endless Forms Most Beautiful, 2009 “Photosynthesis by microscopic organisms produces the majority of the life supporting oxygen that is required by all living things. In return, our reciprocal relationship provides them with carbon dioxide. The photograph is created by millions of these organisms as…
Read More┐ Sonja Bäumel, growing a second skin └
© Sonja Bäumel, Embroidered Tattoo, 2007 The embroidered tattoo is part of the fashion collection “Slow down…”. Latex layers have been revived, reinterpreted and transformed into a skin. A skin embroidered with local tradition. © Sonja Bäumel, Crocheted Membrane, 2008/09 “Our skin has a second layer of skin. A layer full of life, which serves…
Read More┐ Lena Amuat & Zoë Meyer, a thing for scientif design └
© Lena Amuat & Zoë Meyer, Mathematisches Modell Nr.5, 2010 © Lena Amuat & Zoë Meyer, Artefakte und Modelle, 2009-12 “Lena Amuat and Zoë Meyer have won the Swiss Federal Design Award for their project ‘Artefakte und Modelle’. As the title suggests, in this project the two photographers look at scientific models through the lens…
Read More┐ Andrea Polli, memories as possessions in virtual space └
© Andrea Polli, Appetite 4, installation detail, Here Space, NY, 1995 © Andrea Polli, Appetite 4, detail from installation WWW site showing a studio photograph of objects on a plate, 1995 “Research into the concept of appetite led me to consider my personal appetite for possessions. It became clear to me that I (like many…
Read More┐ Terike Haapoja – mind over matter over mind └
© Terike Haapoja, Anatomy of Landscape, Durational images, 2 parts, 2008 Glass, plywood, live plants, light, electronic, water, 150 cm x 90 cm x 20 cm When one stands before a landscape, two lines of thought appear. One treats the landscape as a framed fragment of our field of vision, distanced plane of forms and…
Read More┐ Robbie Nolan └
© Robbie Nolan, Untitled, from Trees © Robbie Nolan, Untitled, from Trees “The poet Keats spoke of how the ‘cold philosophy’ of science would, by explaining the mechanics of the physical world “unweave a rainbow”. In a sense the aim of this series of photographs was to display the falsity of this claim when related…
Read More┐ Victoria Jenkins └
© Victoria Jenkins, Capnomancy, from Images from the Institute of Esoteric Research © Victoria Jenkins, Aeromancy, from Images from the Institute of Esoteric Research “A characteristic claimed to be unique of photography has been its ability to record the visible, material world, its perceived objectivity and accuracy has lead to a utilitarian application of the…
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