Diogo Simões: A Zona

This is a post about a photobook, namely A Zona, by Diogo Simões, published by Pierre von Kleist in 2022, in the context of a national competition promoted by Arte deste Século Association Book Prize (1st edition). But before going into it, I’d like to make a couple of statements: First and foremost, although I recognize…

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What sets us (a)part

caption (image above): © Riccardo Angei, from Glue and Souls. I’d like to state, with a certain amount of certainty, that the only thing that sets men and women apart is that we’ll never be able to explain to men what it feels like to be a woman in a men’s world. They know, they empathize,…

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Quarantine (bookmarks clean up) – Wilma Hurskainen

THE MAN COMES AROUND 2015- The Man Comes Around explores a crucial turning point in the history of humanity; a point where climate change, overpopulation and a rapid decline in biodiversity threaten the whole of Western civilization. In the photographs of Hurskainen, this crisis comes to be represented by the ageing, white heterosexual male, a man…

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Therapeutic Photography (part I)

Caption (image above): Digital offset reproduction of an instant portrait of my mother and her best friend Lena, painted with crayons; 1 of many tests. (by Sofia Silva, 2018). Starting this series of posts about therapeutic photography and authors working with it, I’d like to make some very brief distinctions between phototherapy, therapeutic photography, art…

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Lana Mesić: untold stories

Thinking about photography inevitably makes us wonder what is consider truthful. Fiction is not only part of art (and truth); it is perhaps the privileged space of art, in which it reveals itself as an autonomous entity, apart from what we commonly understand as “real life.” However, if art creates new possibilities, photography fights a very…

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Soham Gupta’s pictures haunt us

Soham Gupta‘s statement: Angst is my reaction to the trials through which some people must pass in our society. This work has its roots in my childhood riddled with severe asthma attacks and in my troubled growing-up years spent trying to come to terms with the world’s expectations. Deep within Angst runs my anger, my…

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A different kind of moonlight

I’m just another lover of the art of moving pictures, so the Oscars, being about the movie industry, are usually not a place to look for references. Yet, I’m always aware, and I end up finding one or two things worth watching (usually the documentaries). This year, things couldn’t be weirder. Not only is Moonlight an originally brave movie,…

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≡ The art of portraiture, by Marina Rosso ≡

I © Marina Rosso, Untitled, from the series Elephant, 2010-12. © Marina Rosso, Untitled, from the series Elephant, 2010-12. © Marina Rosso, Untitled, from the series Elephant, 2010-12. © Marina Rosso, Untitled, from the series Elephant, 2010-12. II © Marina Rosso, Untitled, from the series Mutants, 2014. © Marina Rosso, Untitled, from the series Mutants,…

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≡ The Hyères School of Photography ≡

My love for the Hyères Festival is known. I’ve written about it and have featured a great deal of the authors shortlisted each year. The judging panel has been responsible for issuing a statement about what they want to see in contemporary photography and it has been bold and exciting, for Hyères always awards an…

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⁞ Identities defined by stereotipied ideas of nationality ⁞

Street Level Photoworks‘ upcoming exhibition is called Common Ground: New Documentary Photography from Scotland & Wales and is promoted as a show that brings together “diverse themes and ideas associated with distinctive national and cultural visual inspiration, this collective exhibition welds them together into a cohesive narrative, at times overlapping and continuously referencing and complementing…

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