Searching the web for author Glorija Lizde (b. 1991, Croatia), whose work Persona(L) I came to know in December due to Parallel Review, I was surprised to find a particular essay accompanying her project F20.5 (2016-2018). That particular text, published at Hulu-Split, is an excerpt from Ana Peraica‘s Culture of the Selfie: Self-Representation in Contemporary Visual Culture. But before…
Read More┐ Object on Screen └
still from Untamed Heart, 1993 II. Pleasure in Looking/Fascination with the Human Form A. The cinema offers a number of possible pleasures. One is scopophilia. There are circumstances in which looking itself is a source of pleasure, just as, in the reverse formation, there is pleasure in being looked at. Originally. in his Three Essays…
Read More┐ the patriarchal fantasy of control └
photo caption (above) © Max Ernst, The Roaring of the Ferocious Soldiers (Le Mugissement des feroces soldats). 1919 “Indeed, the apparent sadism of the photographs raised the specter of surrealist misogyny; but it also pointed to an adjacent issue no less difficult: are these surrealist transgressions of the body related to actual transgressions of the…
Read More┐ Gaëtan Gatian de Clerambault └
© Gaëtan Gatian de Clerambault, photographs taken between 1914 and 1918, while C was in Morocco recuperating from a war wound. “…consider the relation of this figure to the photographs taken by Clerambault. Does this historical fantasy of colonial cloth underlie his photographs? Do we see in them not, as some of them seemed earlier…
Read More┐ Sharon Kivland └
@ Sharon Kivland, from Mes Fils @ Sharon Kivland, from Mes Fils @ Sharon Kivland, from Mes Fils Sharon Kivland investigates how our lives are governed by systems of order that complement, overlap and contradict one other while undergoing continual periods of change. Spheres such as language, time, philosophy, politics, nature and history are involved.…
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