Is the condition of being ignorant essential to being privileged? Not exactly. However, most of us, when in a privileged situation, ignore its condition and thus speak about such situation with disregard for the complex web of circumstances that has led us there. We make it sound like it’s simple and say things like anyone…
Read More⁞ Photography as a medium for analizing capitalist practices ⁞
Oscar Gustave Rejlander, Temps difficiles, 1860, épreuve à l’albumine argentique. What follows is an excerpt (the Conclusion) of Daniel A. Novak‘s article “Labors of Likeness: Photography and Labor in Marx’s Capital“, published in Criticism, 2007, Vol. 49, No. 2, pp. 125 – 150. Reading Marx alongside the discourse of nineteenth-century photography demonstrates that Marx’s theory…
Read More٠ The story of Appropriation Art: multiple signifiers, zero significance, one myth ٠
© Andy Warhol, The Shadow, from The Myths, 1981. excerpts from Sven Lütticken‘s The Feathers of the Eagle, published in 2005, in New Left Review, No.36, pp.109-125. “If the culture industry is based to a significant degree on the appropriation of material from art and various subcultures, as well as from different historical epochs and…
Read More٠ Capitalism and art: the lost sense of space and time ٠
excerpts from Frederic Jameson‘s Postmodernism and Consumer Society, essay produced after a lecture at the Whitney Museum, in 1982. “It seems to the exceedingly symptomatic to find the very style of nostalgia films invading and colonizing even those movies today which have contemporary settings: as though, for some reason, we were unable today to focus…
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